It’s always sad to see a movie series begin to almost parody itself, as is the case with a number of series. By the time you get to a third or fourth movie, the idea becomes so uninspired that it becomes a retread. Sometimes a movie series will succeed in making itself original and entertaining (see the Back To The Future Trilogy), and sometimes… well, not so much (See the useless sequels to Home Alone).The James Bond movies indicate that a series can move forward through recreating itself each time a movie comes out. One of the better examples of a movie series that improved upon itself over time is the Star Trek series of movies. Acknowledging continuity while at the same time telling new stories, the series has continued to entertain. At the other end of the spectrum however is a trilogy of movies that progressively got worse with each new movie. Kinda sad, because each movie is basically the same story over and over.
I speak, of course, of the Smokey and the Bandit trilogy.
…
Okay, stop laughing. Seriously.
(sigh) Alright, just at least stop laughing sometime soon.
Okay, we done? Good.
See, back in 1976 a writer/producer Hal Needham gets an idea. Take a rising star, a television and comedic legend, throw them in with a country singer, a former flying nun and fast cars and add these new fads of CB radios and redneck humor and let come to a boil. The end result is Smokey and the Bandit, released in 1977. Taken as a single movie, it isn’t that bad. In fact, I dare say that it’s okay. Burt Reynolds is cool, Jackie Gleason doesn’t hurt his rep too much, Sally Fields is the hottest she ever was at any given time and Jerry Reed is not annoying. Now, with that being said remember this- it not only made money, it was one of the top movies of that year.
Naturally, this means a sequel. So, jump ahead to 1980, and Smokey and the Bandit II: The Wrath of Kahn. Wait a minute- wrong title. II saw the addition of that bloated ball of no-talent, Dom DeLouise. Dom DeLouise is basically that little puppy that wore the derby and hung around with the big bulldog in the Warner Bros. cartoons, with the addition of about a good three hundred pounds and a talent-ectomy. In here, he plays an Italian gynecologist who gets to watch- get this- an elephant. Oh, I forgot to mention- the load they’re transporting is a fricking elephant. Because naturally, elephant equates to money money money Mo-NAY, muuuh-nay! (Sorry, I was going for cool there and missed.)
Well, they could have stopped there, but they didn’t.
They should have left well enough alone there. They didn’t.
Instead, we get one of the worst sequels ever made- 1983’s Smokey and the Bandit 3.
Gone are Dom, Burt (save for a really quick cameo at the end) and Sally. Gone also apparently is the semblance of a real movie. This movie commits the mortal sin of any movie series- it turns into a parody of the original. Plus, it has Jerry Reed getting the plum role of- now, follow me here folks- the New Bandit. He gets to drive the new 1983 model Bandit Mobile (which they do call the car in this movie) and gets the girl to ride along. Just when you think the movie might have a chance of not sucking, we get a “comedic” scene involving the Ku Klux Klan.
Let that one sit in your mind. The Klan- the fucking KLAN- is used for a joke in this movie. Sure, they’re ridiculed mercilessly in the movie in their short scene. Sure, they end up tarred and feathered. The problem is that this isn’t like Porky’s 2 where they are pretty much made out to be the monsters they are from the start. No no, we instead get the fun-loving Klan. Oh, and nice job improving race relations by using stereotypes for the two black men in the truck that the Klan are attacking.
I forgot how decent the first movie was in this series. I didn’t forget how pretty useless the second movie was. I wish I’d forgotten the third movie, case closed. I need some kind of palate cleanser, just to get the stench of Bandit 3 out of my head. Anybody have a copy of Breakin’ 2:Electric Boogaloo I can borrow?
Out.
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